‘Foreigners’, ‘Sunshower’ & ‘Cosmic Confetti’
Ella Wang picked up a camera two years ago and has fallen in love with photography since, no matter the genre: street, portrait, architecture, underwater, concert, and more. Still being a highschooler, she has learned to balance her academics with photography. During class, you might catch her debating how much grain to add to an image for that perfect amount of "vintage".
Foreigners
I want to ask you about your time
in a foreign country
that you have been to before
that I have been to
that I will be in
only a few weeks after you
like a shooting star chasing
another or a conqueror arriving
at ruins already haunted by a fallen empire.
I’m the archaeologist left
to pick up the pieces, one dead
pixel at a time of your pilgrimage
but when we follow the footsteps
of saints all we realize is how stained
our soles are.
They catch me at the airport
with a suitcase filled with souvenirs
they ask me what I plan to do with
them and it feels like a crime
to me too
to have all of this
luggage.
Sunshower
The rain bows into a mountainous slant
against the wind’s wrath, a tempest tears
the clouds, severed by the gold scissors
of thunder, lighting the living room.
Mother Nature takes her iridescent throne,
the rainbow bending the sky to her mulberry
sweet mouth and her honeyed sceptre.
Cosmic Confetti
Dear you,
you who knows,
that you will always be all of the yous,
It was always reality to you
and imagination to me.
The golden thread of fate was cut
by the Moirai a little too soon. But
the wormhole would never have
existed without the severance.
The grief would never have existed
without the severance. The poem
would never have existed
without the grief.
I am sorry that this is the way you
find out. Or you never find
out if you never read this.
That it is tucked away in a little pocket
of the universe where I’m not a coward.
I never knew what to do with good things.
So now I only have the silence of your white
space.
There’s a room in the Milky Way
where you’re throwing me a party
and we celebrate, just the two of us,
like it was supposed to be.
Just like there was supposed to be no
end
to our poem.
Fiona Hartmann is a writer living in Toronto, Canada. She is interested in creating thought-provoking fiction that creates emotional connections that transcend through the digital landscape of modernity. Find her published and forthcoming work in Kelp Journal, Shot Glass Journal, Neologism Poetry Journal and elsewhere.