“Lucky Cargo”, “Exit Point”, & “My Girl, Athena.”

Photographer - Tobi Brun

lucky cargo


Bury me at sea in the mouth of a lion.
There I will squander the cargo for anchor.
Make me a list of their sisters and mothers,
and watch me return to the warm South to thank her.


Bless me with sand at the feet of Elijah.
Here I will make good the boundless prairie.
Build me a tall ship to sail California,
or carve me your phone number under the blue tree.


Break into a car where the flowers are burning.
There I will paint you a cold Dionysus.
Write me a Pope at your earliest convenience,
but make no apologies over the wireless.


Bring me the white whale who started creation.
Here I will peel you a red pomegranate.
Spell me your favourite hour in the waters,
as proof that it’s not such a dubious planet.


Book me a table for Boot Hill at sundown.
There I will make lunar landings a habit.
Pour me the Rolling Stones into fine china,
if ever you find a bar lucky to have it.

exit point


A brown spider crawled out of my dream,
full of hard threaded heart-strings.
Sleepy with Satie’s Gymnopedies.


Could have
sailed again.
that world
I travelled
from.


How
time slipped
every
screen
and,


taught dead
fish
to
jump
an empty


reel as my dream
reclined
in the arms
of some


lonely, adult
actress.


Or St. Cecelia in ecstasy, (is that the place?)
I never looked to find. All over
the city, blue flies ferry fever.


Takes time to cross, two years of traffic lights,
dealt underneath the bridge.


At the exit point
of memory, there is always,
this expectancy.


Like driftwood, Holy days
when I still wait for you.

My girl, Athena.


The Gods have abandoned you.
She’s not there, (but vengeance is)
some spray-paint joker cracks.


You are no Goddess
on a good day.
Not my girl, you say.


How your eyes
stay quiet like a house,
that will grow


into a garden.


Let us speak to each other,
a simple list of words
in no particular order.


Though my language be small as a wager.


Our first day in the park as the jet planes
roared above your dark, gold hair.


and you spoke
to me, slowly.


distant with conviction.

Jonathan Jones lives and works in Rome where he teaches English and American literature at John Cabot University.

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‘Who Is That Bird at the End of That Rope?’, ‘Crisis in the Lighthouse’, & ‘Jack-O'-Lantern’.

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Burnt Offering